For All the Men (& Women) I Want to Roll around with

Slow burning anger fades, calm of breezy sunshine

Like a hot weight in my forehead, yesterday it felt

She had not done anything wrong really,

Just years of ancient pain arising

A healthy feeling pushes me forwards, guides me to my goals

image from Spirited Bodies

Anita & Steve

Wench

Erik & Wench

I want to roll around with you

If you never had a crush on me, now’s your chance

Return to the Motherland

Today Morimda introduced me to her friend Agnes, who first ignited Spirited Bodies in her.

We are learning how to love each other, by stroking! It is called Quantum Touch Healing and the main thrust is gentle strokes, imparting life force energy. Not being afraid to touch each other may be good for our insides which respond by healing themselves, so the theory follows. Stroked by my friends, I love it, brings out my inner feline.

There is so much science doesn’t get, and I am prepared to believe that extra loving could go a long way.

Morimda passed the project over to me when she realised her priorities lay elsewhere. As far as I am concerned Morimda has done the amazing first step of starting this, and I am ever grateful to her for giving it to me. She created it as a project to be passed on, and one day it may come back to her, a little more grown up I hope!

Not long after the first event I was looking for a place to live and the right place came up for me not far from Morimda so I moved to a new area. I didn’t know too many people here in this neck of South East London, but this Autumn a couple of tricks have landed my way that will help to root me in the neighbourhood. I was offered a place in the script writing group at the local theatre, and Morimda invited me to take part in a regular meeting of friends who practise healing on each other. The first will be good for play development, the second all things hippy shit.

This week I met up with a very old friend from my teens, from when I first left home. She was in London showing films with her husband about The Freedom Theatre (www.thefreedomtheatre.org), an organisation in Palestine which offers acting and music classes to Palestinian children on The West Bank. The films spanned the utterly grim to the gloriously hopeful; the message being that the 3rd Intifada needs to be a revolution of theatre, music, film, art – violence will not be the answer.

To see my friend was incredible and inspiring; noticing how both our accents have grown posher with age, yet I heard turns of phrase from her that reminded me of her old self, and I almost thought she was surprised to hear them in herself (again?) but more likely she is quite unified now, as I believe she is at ease with herself.

What Drives me towards my Goals, & the Healing Hands of Alessandra Malaspinal

My nigh on 5 month relationship with my boyfriend has allowed me to uncover many depths. It is his strong connection with my formative years that has fast-tracked our lurve and understanding. He seems to possess qualities which enable me to heal and flourish, and somehow I am filling in some sorely missed gaps for him too.

The other day, I realised I had spent too much time at his place, in his neighbourhood, which does necessarily bring back a few memories for me. I got angry and regretted it afterwards, but what I had spewed up did reveal to me so clearly what drives me.

He has unique capabilities in maintaining strong, solid friendships with some significant exes, and just all round good relations with several women in his life. He overall prefers the company of women, expressing the unlikely line that ‘they make more sense’! What I observe is that they trust him, don’t feel remotely inappropriately bothered by him. They can talk to him the way they might another woman, only any competitiveness is ruled out. Similar to the way gay men often make excellent female company.

Sometimes I find this state of affairs testing, though I also know that I may reap the best benefits from it. It can feel like they may have a tighter hold on him, rousing my jealousy, though it’s not the case. More that I am still a bit unused to this dynamic, and to sharing him thus. I am aware that he is protected, loved, by several women who adore him; what a way to keep me in line!

My own history of being far too involved with one man in my life and not having enough time for friends, is thrown into sharp relief. I want to open up now to have more close friends, and for the first time in a long time, to bring my friends towards knowing each other.

So what I realised when I had a recent outburst, is I had left a group of old friends over a decade ago, because I hadn’t been able to process and talk about my negative experiences with anyone around, save the man in my life at the time. What was troubling me inside I did not feel I could share with any of the other mates, where light-hearted banter was the norm. At least, I did not find the right outlet with anyone else, so my boyfriend bore the brunt. When that relationship ended, I had no emotional means to maintain active friendships within the group. I found a new boyfriend, and migrated socially, in a way repeating the same experience. This migration pattern occurred twice; each new relationship lasting around 5 years. By the end I was quite lonely, yet recently through Spirited Bodies I gained confidence, and felt ready to get back in touch with some old friends of my youth. Indeed, an astrological reading from over a year before had mentioned that I needed to ‘find’ my friendship group, as I was far too lonely! I had knocked on a few doors I suppose, but nothing felt right until I went back to the old ones. That is to say that completing a circular journey which brought me home to old friends, has also allowed newer friendships to acquire more grounded substance.

With my boyfriend now, I was jealous, of other women who took his and other platonic friendship for granted, which I struggle with. I bitched that they hadn’t been there for me all those years ago. It’s irrelevant now. How many friends was I not there for when I was too young to know any better? What does make sense is that my relative loneliness drove me forwards to create something new, as well as to reach out to others in a gesture of inclusivity. When I heard a friend complaining of a woman she did not like, who some years ago had been violent towards her and is part of a larger group of friends, in fact accepted by some of her friends, I found myself wanting to give the woman a chance – never having met her I could not judge her. Who knew why she had been in the bad place my friend had had the mischance to encounter? Particularly women I want to be ready to listen to. This woman may not be as privileged as some of the female friends that my friend is accustomed to. Privilege here refers not only to wealth, but also access to loving support.

What the above does omit is all sorts of other reasons I wandered into a wilderness; like needing a new lifestyle, and the recognition that slowly I would be harmonising relations with my biological family, and that that would have to happen before I could sort anything else out. I am far from alone in taking a meandering path. What drives me comes from earlier origins too, naturally.

Loving the Long-term Relationship

This propensity towards the long-term relationship just seems to attract more of the same. Despite all sorts of unfavourable conditions, I see now how the LTR has stood me in good stead. I have a nose for them; my support networks have not before been set up to cope with the single life. I work to redress that imbalance now, not in order to be single, but so that my relationship may last longer and grow richer.

Hardwired in me is a 7th sense for a sustained, engaging and emotional relationship. I don’t even think about it – my body tells me where to go. I volunteered to pose naked for my present boyfriend before I even knew why! My mind created other motives which weren’t without content… then I stopped eating and sleeping a while… girlfriends warned me at first fearing some danger, then later when my concentration failed to return from the ether, they told me to go to him.

Once the connection has been established, I am confident – even after a honeymoon may have dipped, that I can work through whatever I have to so that love builds, a snowball gathering momentum! Of course finding the right man to do that with is what keeps this blessing buzzing.

an advertising agency pays for its employees to learn to draw

A friend who took part in Spirited Bodies 2, Julia, brought a friend with her.  Alessandra took well to modelling and found it liberating as a woman approaching middle age. It brought out some of her natural vivaciousness and she did excel. Sadly the reality is that a woman her age is less likely to be booked than me, I mean she would likely have to go the extra mile to promote herself. Unless you are blessed with some unique physical feature, more averagely shaped women are less likely to get work as they age. I have learnt this through the SB project, and now hold off informing would-be models that work is guaranteed. I am a slim, bendy physical theatre performer who can stand on one leg for 15 minutes. Being in my mid 30s is not a problem. It might be for another woman.

Thankfully Alessandra has many talents, and one she is developing is the skill of transmitting energy to others by healing with reiki. Since meeting each other she has been practising on me, and on occasion I have taken the opportunity to draw her. It has been a fantastic way to get to know her. While I lie down, eyes closed, she holds hands above me, or sometimes lightly touching my skin. I feel warm, tingly sensations and relish a chance to concentrate on breathing. I let go of tension and appreciate her time immensely.

Bella Ragazza

Thoughts on Indecent Exposure

Making new friends is a treat to be savoured, or else ravenously devoured because when you hit it off, nothing can stop you.

Getting to know people properly with whom you have been acquainted for years may take a similar turn, if only that some of the leg work has already been accomplished.

When new faces are foisted upon us situationally, it may be wise to hold back. Otherwise we risk the forcing of friendship, the over-burdening of our companion; the unhappy match of divergent dreams. It is like casually undressing for a near stranger while you are still in the street, and asking them to inspect the folds of your belly button. You can expect to be left naked and ridiculed, if not generating hysteria.

Dancing for Pan, recreating a Poussin

Image created by a student at Candid Arts, as I took the pose of each character in Poussin’s ‘Dance before a herm of Pan’.

HoneyMoon Currents

There was something about him as we were chopping up the vegetables, so gentle, a tenderness in his eyes and in the corner of his smile. I felt comfortable. He was cheeky too, in the subtlest of ways, as I could tell he did not want to offend me.

When we sat down to dinner I talked about my work and my project. About being a nude model and for some reason how other people see this. He asked if other people judged me for what I do, and I replied that everyone in my life had gotten used to what I do, though there were surely some more distant family members who looked down on it, but I hardly saw them. I don’t think they look down because of the nudity come to think of it, rather the low status and low pay, the insecurity it bodes for my future.

It was the most probing thing he said, maybe in his tone, and I probably enjoyed revealing a little more of myself. Most of all I liked that he wanted to know. He seemed interested in the right way.

I feel a current streaking through me, and I am not sure if it is anger any more. It feels more like vitality, energy, a healthy desire to move things, move myself forwards. I think it is the drive of my surging genes, coming into focus as I hit the ground stumbling at first, yet quickly picking myself up, brushing the dust off and launching straight for the next goal – I am in my mid 30s and there is no sign of a baby; I have successfully maintained black sheep status since puberty in my left-of-centre middle class with the most righteous of roots family – THERE IS SO MUCH TO DO! And I feel like a warrior woman with some comic turns!

BP Portrait Award

I recently visited the National Portrait Gallery and checked out this annual fare of assorted portraits. It was quite enjoyable with a reasonable amount of deviation from the photographic style which tends to dominate. Not that that isn’t admirable, just gets a little dull when we are constantly surrounded by quality photographic images.

I was less impressed by the winners I have to say, which said very little to me and hardly stood out; one of them, ‘Holly’ barely even a portrait, far closer to a classical nude.

There were two pictures which I particularly remember, and which managed to capture a great deal in terms of resonating with contemporary issues close to my and I am sure many others’ hearts.

'OHH!' by Cayetano De Arquier Buigas

This is an amusing image which the artist set up to spark discussion about different styles of art; the model is regarding another depiction of her which has an incredibly abstract style. The artist was born in 1932 which makes me think that he was around for much of the modernist era in Spain, his native land. He has witnessed the breadth of change in art from Picasso through to the present day and must be struck by it, and wonder that we don’t recapture some of modernisms’s finer moments more often. This painting speaks to me about how we view ourselves, and has a comical expression. I visited the gallery with my friend Julia Parr, who has participated in Spirited Bodies, and she pointed out that it clearly reminded her of what it was like to model at the event, and then look at the pictures of herself with awe and wonder.

'I Could Have Been A Contender' by Wendy Elia

This is my favourite picture in the exhibition and if I was in charge it would have won! It speaks to me about what Spirited Bodies aims to address, and it so very directly and succinctly sums up the portrayal of women, in relation to family, and as posed by the artist, so it is empowering and questioning, analytical simultaneously. The daughter intrigued by her Mother’s boldness, while the son is shocked, not wanting to see her nude form. The image created by the naked artist comments on society’s unrealistic expectations of women.

Can’t buy love

Megan Morgan follows me as we cycle over the bridge to the Mall, I want to show her where it is. I tell her what it’s like to model naked all the time and why I love it. How the artists, some of them, know a part of me neither friends nor family do. How it’s a performance of self expression in the moment, and while you could get self absorbed, you also get beyond the self, and beneath layers. It may be hard sometimes, but when you enjoy it, it’s a pleasure to be drawn. After a difficult spell in another part of my life, modelling can take me back to a happier place in myself, what a treasure. I love sharing this knowledge with someone who wants to take it on too. Feels like something I ought to do.

Glyn Howard makes me look cooler than Top Cat!

Glyn's groovy cartoon style, i dig it

Drawing From The Past (written 18 months ago) ~ Dedicated to Old Friends

I remember my last day in Soho; Kez was on the door and I was the only girl around. There would normally have been two of us, but the Sunday afternoon shift was particularly insidious. It was a come down to top them all off; just as the drugs were wearing thin, you had to wank off some desperate middle-aged loser. After, I would sneak through the door at the back of my room, into the old theatre space where at one time real shows would have taken place; the curtains, pillars and feathered props now stained and dusty were all that remained of the original Soho Cabaret. Not merely lewd acts performed one on one in under-decorated, poorly lit back rooms. Behind a pillar I tightened the tourniquet and pierced my arm; only a few hours to go, or perhaps not for once. I told Kez I’d had enough and he was sweet. A couple of years older than me and of slight build, he was unusually sensitive and to me seemed unlikely for a doorman of an illegal sex industry establishment. Still, like so many employees of that scene, he was born around it. I would pay him my rent plus a generous tip and then he could close since no other girl had shown up.

I took the opportunity of letting big fat Jimmy – the Glaswegian boss – know of my intention to ditch the job when he descended the stairs from the street. He predicted defensively, “You’ll be back. You’ll definitely be back. All the girls always come back to this job.” I said, “I won’t,” and was sure that I meant it, all the more sure for his affirmation. He didn’t know what was within me, what potential I held. He could not see that, otherwise he wouldn’t have been managing peepshows and brothels.

There was a degree of planning involved. I had flights booked, and I knew change was in the air; I’d never flown before. Ok it was to Amsterdam, so no great departure in ambiance, but subtle change. This time I’d walk round the notorious red light zone and I’d be a tourist, just a tourist; not a product for hire. I’d swap injectables for smokables, and I’d smoke in public with everyone else. I’d meet people too, and they wouldn’t know me or what I’d done; just a girl on holiday by herself for the first time.

I was lucky, and not for the last time; I was not from that world and I did not belong there. Yet for a while it fed, clothed and moved me, its alternative corruption infecting my growing mind. So overt was its otherness that the appeal engendered liberation, I had allowed myself to deviate from tired conventionality of suburban middle classes. In those dens of neon cocktails and painted ladies all types of men would enter to sample whatever was available, most remarkable to me was the broad spectrum of male type. Not what I had expected but although particular types proliferated, all classes and races were represented. I even had one customer of the ‘new man’ category, and he was so charming that he refused the offered favours and asked to merely talk with me, not dirty just real.

I could see that Kez was my male counterpart for that year. Bright and alert his blue eyes flashed as he questioned me. Brought up by a heroin addicted father he was staunchly averse to drug use. My own use was borderline, not fully trapped or forced to horrendous measures I engaged in a lifestyle that distanced me from many for a long time to come. But I had arrived on the scene with a ready-made visa to leave at some given point. Prior to my first shift at ‘Girls Girls Girls’, I had completed my A levels. Generally poor but when the grades came through a couple of months later, an A in English Lit was all that really counted for me from that time in the 6th form. I could have continued unhappily to take up my place at the University of East Anglia in English and Film, but around the time that I first tried injecting in the Spring, a new friend, Chris, asked me what I wanted to do with the following year. I responded that I intended to be a junkie, and so it was; and surely that was where I could learn most since there I would open myself more freely and as I felt, have the greatest chance of undoing years of socialisation and the negative affects of unhappy upbringing. I was not lonely or in bad company and the people I met interested me for their difference as well as norm-breaking vitality. Generally intelligent, their backgrounds seemed truly diverse. Drop outs and misfits from all walks of life congregated at the Slimelight in those days – an appealing mixture of the very upper class and utterly working class, many eastern as well as northern Europeans.

My last customer was an Indian chap who expected to get it all for £1.50, the misguided fool, but what aching pleasure I took informing him that he almost got what he wanted (not actually true) except that I had just at that exact moment quit and there was no one else to do the job! If there had been any doubt in my mind that today was my last there, he had quelled it.

How a girl like myself stuck it out there as long as I did may be down to certain chance factors. I don’t think I would have lasted so long in a conventional lap dancing venue for example. I don’t have that sort of pin-up feminine appeal, and alongside those sorts of ladies I don’t generally fare so favourably; I cannot always be bothered with much make up and rarely make time to shave my legs. At the Soho Cabaret one had greater freedom and could even play one’s own choice of music in the room. True – the sex acts were more full-on than mere dancing requires, but I could appreciate the irony of being accompanied by Ministry’s ‘So What’, Hole’s ‘Teenage Whore’ or Therapy’s ‘Teeth Grinder’ instead of being forced to listen to the usual inane shit. There is a particular variety of cheesy nineties dance music, the chart sort, tracks such as ‘Scat Man’ that to this day bring a shiver to the back of my head, as they were part of the looped soundtrack in ‘Girls Girls Girls’.

I don’t recall the other girls too well; on a busy shift we wouldn’t see each other much. One lady was my age now and had presumably been doing that in some form or another since her teens. Her brother she told me was a rent boy in Kings Cross. I just didn’t know anyone else like that and mature and kind as she was, I knew I never wanted that life for as long as she’d done it. But she probably didn’t know too many drop out would be students, or maybe she did. Certainly in the dancing establishments a wider variety of women worked, but down in the Cabaret, I’d have to say it was more down and out. Few were open about their drug habits although I remember Baz, another abbreviated doorman, this time of characteristic stocky bouncer-like build, claiming to be addicted to ecstasy. Not a drug famed for hooking one, he said he required at least ten a day and regularly took scores. Baz was eager to find a willing female to join him in Amsterdam working in a sex club, performing ten hours a day for a tidy sum. None were tempted, apparently not even his girlfriend.

A good shift would see me rolling home in a taxi with £500 in my bag – I’d never seen so much money before. It more than paid for my relatively cheap habits. Once a week, our dealer would visit on a Wednesday evening. A pattern quickly emerged of thereby staying up till Friday before resting in time for the weekend’s madness. Clubs on Friday and Saturday, maybe a gig on Sunday, sometimes I found it exhausting, I was not made even at that age for such relentless tumult. The emotional fall-out was contributing to my weakness considerably. Obviously I had fallen out largely with my family, mainly Mother, and whilst on one level felt such enormous relief at being shot of them and having found a new family, on another I was less strong. There was despite huge claims to genuineness, a lot of superficiality going on in that scene (The Slimelight) unsurprisingly. In the first case there was undeniably a pressure to be hot, incredibly sexy, at all times in public i.e. with friends, clubbing and at work. My identity was enmeshed with my appearance and also being suitably flirty and perhaps outrageous. I think I am naturally more introverted, and that time was a test to that personal aspect.

Secondly, despite mutual fucked-up-ness, fellow clubbing friends seemed to be less extricated in awkward emotionally trying employment. Some had been there before I knew them but their use there had fortunately expired. Unemployment may have been healthier, but never having had money, I indulged in a kind of independence. Looking back I see that I must have substituted real independence for a very compromising financial one. And what I had not counted on was how much more difficult it would be to actually re-enter the ‘middle class’ world of college and meaningful employment. I changed, and subtly my esteem reduced. Yes, I achieved a sort of would-be fame within the scene as desirable, model female, but to very few really. Drugs gave a missing confidence its first voice.

There were the effects of being sex symbol to an older male crowd. I used to marvel at the high proportion of beautiful women around, it could be a lovely and fascinating place to look at people, the Slimelight. Bold as I tried to appear, various wanted a piece of the action, and those close enough did their best to dig a portion out no matter the damage. I found my main partner quite a head fuck though it is apparent to me that I was easily his equal if slightly less knowing. To be the ‘boyfriend’ of one so wanted and even vulnerable for a lack of direction cannot have been any picnic. To this day I do not think anyone has taught me more. He had lived it all and more before, so his seven years senior to me could have been twenty-seven. It took me many more to get over him for I am sure I think that I may never be in quite such strife as I was then.

Hard as it has been to re-integrate, one beauty of such a past is that from there any improvement may be more easily appreciated. When I realised I could hold down a straight though dull job ushering at the National Theatre, I stayed for years unsure what else I could do. It was nigh on impossible to get sacked from that position as long as you didn’t try to work whilst blatantly drunk, disregarding sick audience members collapsing in the auditorium!

What had occurred with Mum? I remember her mental deterioration more than physical and on learning of her condition felt certain of karma. I had wished her dead since so young and now she was dying, already dead inside, if she had ever lived. In the evenings she’d scream, in the loft I’d drown her out with Bauhaus, Alien Sex Fiend. Irreparably unhappy, her minute world could only descend to angry ranting. I checked the music press for gigs, and set out on a night of adventure as her hatred drove me away. I found no mirror to my own sense of dereliction in those around me at school, so I went it alone in order to find new company.

Jimmy was right; I did go back. Only a few months ago I was posing naked in Wardour Street to a room of twenty-somethings, mainly men; however it was the life drawing group at the Moving Picture Company, an animation studio. I recalled my very first experience of nudity in that area. Ok, I’d worked the clip joints in my underwear, but before employing my best female friend and I, Jimmy wanted to see us stripped entirely naked in his office on Frith Street. It was simply to ascertain whether we had any unsightly scars or tattoos and lasted seconds.

They used to call her ‘the Amazon woman’ as she stood tall in a doorway on Rupert Street telling most people to fuck off when she was supposed to be enticing them downstairs. Her long red hair, striking height, menacing make up and revealing attire constructed from bullets and metal plates, together with attitude earned her such reputation. She didn’t last long in those jobs and quickly had to search elsewhere, probably for the best. She got involved with a new boyfriend shortly after beginning at the Cabaret and he didn’t react well to such vulgar means of earning, so soon she missed enough shifts to be sacked. I stuck it out alone; well, someone had to pay the rent, and unlike hers, my parents were not sending emergency cheques. Her fall out with her folks was less personal than my situation, rather religious in substance. From an obscure Christian sect her upbringing had been sheltered, so her rebellion was ideological more than emotional. Her Mother wrote imploring, loving letters which she unreservedly rejected but I could see the problem was actually less deep.

She was an extreme character, enormously attractive in so many ways. In the beginning we grew closer and closer, protecting and teaching one another. She was quite awesome to behold and her mental capacities matched up to the image. With no time for fools, she believed the world would end imminently, as soon as whichever world leader pressed the little red button. She condemned those who had children and was convinced the whole world could only be woken up by putting enough acid in the water. Other forces were also at play and our differing agendas became apparent. In some ways she was brighter than me with less heavy burden dragging her down. Simultaneously she was childish and arrogant, developing strong bitchy tendencies which eventually distanced her from many. That included me, and we never really got close again. I will always have respect and admiration for her single-mindedness and ambition. Today she lives in Jerusalem, teaching cello and singing to Palestinian children. She’d never played or sung before she left the scene.

I met her at the right time for we both needed to move and at 18 could benefit from each other’s company. A friend found us a basement of a warehouse which we rented under the guise of artists for our studio. Flouting the contract we moved in, installing cooker and bath. We knocked down plasterboard walls to create largely open plan space and a thousand square feet were decorated with unique artworks and particular lighting. Trawling the fetish clubs we drummed up business for our becoming dungeon; bankers and judges visited for punishment and humiliation, and this was the side of the sex industry that interested me most. Paid very well for what was at times surreal and often fun, we invented abstract games to employ our slaves. They longed to be feminised, pissed on and beaten; we took pleasure in providing the pain. One gentleman requested to stay for an entire weekend; well, that was a mistake. After a while we got so bored of him we couldn’t be bothered to keep up the act, and he left prematurely disillusioned!

To clarify: if domination was so financially rewarding and uncompromising mentally, why did I maintain my seedy job in Soho? Because, being a dominatrix was fun sometimes, but if I’d had to make more of an effort or done it more regularly, it would have been like any other job, and inconveniently it was in our home. It was illegal and with men visiting more frequently we may have aroused suspicion and needed full time security – not just boyfriends lurking in the bedroom. Four years imprisonment would have been standard. Soho gave me a more convenient stability.

The rest of the time our home was populated by various of our cohorts, and was a fantastic venue for parties. Our acid punch was highly memorable and I made many new friends on these occasions. It is the dancing and the celebrating that I miss most from that time. I have at times gone back to visit – the clubs that is, since that home was lost long ago. It will never be the same as when my hormones pulsated vibrantly to those industrial beats, my emotional heart feeling the earliest signs of independence. How I connected to that place, those people! At best euphoria, and not always drug induced.

Chris would deliver me to Brewer Street in the afternoons as I rushed to my position. So much of this city I saw from the back of his motorcycle, speeding dealer to den, Soho to Angel. I felt safe whatever risk we took; he alone I trusted, but also betrayed, though, in such circumstances who could blame me?

His story moved me, made mine seem innocuous; how dangerous! To save such potential, for I adored him and knew he was made for far better things; yet how I unsettled him! He knew me too well and rebuked that I might learn myself better, for my own sake.

In the end I became tired of the endless rounds of junkies arriving, mostly males, so geeky. I could do without, and a new job waitressing twelve hour days altered my pattern and introduced me to another world. I desperately needed to move on and took whatever opportunistic move life granted. It came in the form of a random Italian.

So I ask; what can one do when one has been trained so effectively in making a living by removing one’s clothes? Is it a disease and treatment available? Or will it end my days naked, only my body to store my secrets?

I seem to occupy a place just marginally, barely significant, inconsequential. Sometimes I feel most alive these days as I take Mum out in her wheel chair; whirl her on a dance floor or smash through commuting bankers to hold up a bus. Yes, my Mother and I have come a long way since my teenage rebellion and the beginning of her Multiple Sclerosis. The right things have been said, but sometimes it’s so hard to put the past behind you. I went to drama school unready for precocious and sophisticated young ladies fresh from privileged homes; when the whole point of drama is to connect, I floundered, little commonality between us. I graduated but my main achievement was putting myself in therapy; the stress of the final year saw me retreating weekly to a women’s group for those struggling with drug problems. Many drama students find that time a life changing one; it hardly registered on the scale after my formative years, and I didn’t know how to share that. I did try; my final practical dissertation was an attempted physical theatre piece, inspired by my Soho/Slimelight gap years. Not casting from my classmates I enlisted Chris, my ex, to tell his tale with me, as well as Rebecca, my sister, who was just starting at the same drama school.

A very good old friend, Chris, drawn by me the other day.

Letting you show me how to Live

You know how women are to be loved

I love you for showing this

You unlock my secrets and my pain

And I know you can mend me too

You give me a strength to nurture growth

I wish all sweetness upon you

I trust you when I am anxious and when I am sad

That your friends would turn to you

Always and again, especially women

Know that they are safe with you

If they have been with you and loved you intimately

Or been very close to you

They know you will put your arms around them

Soothe their worries and their tears

With your Bear warmth

Mountain of Strength

High up in Crystal Palace, Caron Clarke is making me cringe.

How she dares tell her attendees to complete her outlandish tasks… is anathema to me. Can she not read the horror in their grimaces?

Maryam Saleemi suggests the dance I want to leap into!

Risks are how we learn. Not worrying about what others think, including our friends, allows us to grow. Clarke is right.

On Thursday evening the class want an easy session; if they haven’t been before they are in for a shock. OUT of your comfort zone will Caron wrench you. She will work the lethargy from you and replace it with collage, blind and non-writing hand drawing…

Martin Cleave makes the most of Caron being distracted by someone else

But seriously I have a massive soft spot for Caron. I’m always creasing at her antics, and her own buoyant smile bounces into my daydream. Having modeled for her a few years, I am familiar with the surprised transformations she elicits from her class.

Our friendship began when we discovered we both play the violin badly and she asked me to fiddle whilst modelling, sometimes we did duets.

I cannot believe the exercises she asks the class to do. I sense disgust

They will never come back. Can’t she see how unfeasible her idea is, that they are tired and just want to relax with some life drawing, not be jerked into spasms of disconcerting creativity?

Sunita Sharma is not put off by the challenges

But towards the end, the class is back with her, and they learnt something new.

It is Caron’s sheer boldness that asserts itself in fact in such delicate form which I admire. For her sumptuous watercolours, and bright shining humour. I don’t cringe anymore, but enjoy an extra giggle as she wades in without goggles. She is the real thing, all by herself and perfectly amazing, always brimming with abundant beauty, natural laughter.

In her Saturday long pose sessions Caron paints

Superb model Vanessa Abreu by Caron

Antenna, Crystal Palace & Caron combine for a groovy formula. The place is a recording studio; musicians, generally rock, indie wander about, tuning up on the roof, strumming in the yard. On my way to the loo my scanty covering flies up – I can feel the testosterone behind me. Hey – if I hang about long enough I might even get asked to be in a band… though I’ve not tried yet, guess I’d rather reach that by other means

are they musicians or punters?