It happened that Ursula also felt inspired to record herself in a video, performing her poems from our 2015 Girl in Suitcase performance. She has done them back to back, overlaying her voice and some musical sounds delightfully, witchily I think, with dreamy sandscape shoreline intersecting with her shadow. We are enjoying revisiting, reconnecting, recreating together, apart. Please, enjoy her voice, words and images!
The photo at the top of the post is of Ursula performing ‘The Moon’ in the same ‘Girl in Suitcase’ show referred to.
I recorded another of Ursula‘s poems which had been part of ‘Girl in Suitcase‘ in 2015, when it was about goddesses, and witches. I used some old footage of myself performing menstrual rituals on the island of Fuerte Ventura in March 2017. It was pleasing to rediscover the text, and the videos, and be able to combine them whilst recording my voice on top.
There is a sense of reclaiming communion for a matriarchal rite, reconnecting sacred blood with menstruation. What a different culture that would look like, that celebrated women’s cycle. That honoured its connection with nature, and all that it brings. The changes in our moods and energies, our appetites and sensitivities. Our fertility. The blood itself as a means of connection; from part of what keeps us alive, to becoming waste blood; on with the cycle. The red liquid that reminds us of mortality, with its distinct flavour and smell. That looks like paint, has been used as paint; to colour our faces and bodies; to draw on walls. To share messages and signs. An essential ingredient of human life; the liquid passed down generations; especially through women in the process of birth.
To restore balance in the world, this natural order must be honoured. The implications are enormous and rock every foundation of patriarchy. The power of menstruation can be revolutionary!
In this phase of blogging, creating new material every day, I feel enlivened. It reminds me of when I used to blog regularly about my life and work as a life model, alongside Spirited Bodies stuff, several years ago. 2011 – 2013 mainly. I was quite open sometimes and eventually realised it didn’t fit having it all on the Spirited Bodies site, so I compartmentalised – and made (this) separate space just for art and myself. I remember how I was always thinking about what I would write next! It gave me a good focus while I was posing. The excitement and pleasure at sharing my process… it’s a healthy thing.
Thinking of blood, I remember this track I listened to a lot in the late 90s. ‘Love Like Blood’ got played on the dancefloors where I hung out. It’s a sad song with a strong edge. ‘Killing Joke’ were part of an intense soundtrack for those years.
The painting at the top is by me, made by dripping my menstrual blood as well as some wax. It is called ‘Lunar Waxing’ and I made it in January this year, at new moon.
Now is a good time to let viewers in on one of my precious show-biz secrets. How to apply make-up. With me, it’s very much about the intention and the feeling; and being concerned about the environment, I like to recycle as much as I can. Making a mess is encouraged. Keeping a mobile and flexible face, perhaps giving it a little work-out at the same time, while it may not seem fashionable, it’s always good to express ourselves! In this video, I am preparing for an upcoming performance, so a little character work is gently coming into play. There is no speaking, so people all around the world may appreciate the useful example. I hope you enjoy!
Video shot in lovely Ladywell Cemetery. When I am surrounded by nature, and dead people, I am well attuned to the look I desire.