change of tempo

An artist painting a scene at Clissold Park, north London.

From Dad’s home on the northern fringe of Muswell Hill, I cycle the sunny morning up and down through Turnpike Lane and along to Clissold Park, stop for an energy shot guarana coffee. Slide down to Dalston, get lost on a wrong turn to Victoria Park, open Google maps, eventually find my bearings roundabout to Mile End; Limehouse, and the minutiae of back streets and alleys, bridges and footways that lead to my dentist in Canary Wharf. It’s my first time there – my usual dentist has referred me to a private specialist, since the NHS nor even she privately has the necessary equipment for the job. Apparently I am at my destination but I can’t see it – no sign. I began panicking a good half hour earlier when the map was messing me around, sending me on wild goose chases, unnecessary side routes when the main road would have been fine and so much more direct. I think, AI could do a better job and I welcome that. I felt my cortisol level rising as I shifted from calm pleasure on my ride, to anxious nervousness, noticing how that made it harder to read the map or any useful information around me. I wondered if that was because of how expensive the consultation was, and difficult to get a slot, or because I don’t like being late for anything. Both. I’d actually left plenty of time so it felt punishing and I actually shed a tear.

Still, it was fine when I arrived. After I parked the bike, I noticed a small sign for a dentist. No name of the company, just dentist; so I called there. It was them! I’d thought I was 15 minutes late to a half hour appointment but it turned out she was running late, and all was fine.

She was very thorough and clear in her explanation of the predicament of my root. She spoke fast and showed me diagrams. She had a kind manner and I trusted her, but the treatment would cost about double what I had expected, plus she recommended that I get something else done by my dentist. I knew I must follow what she says, but the cost was going to be considerable, and I would notice it.

Now I think, how apt to be nodded toward this event so anxiously, when it will in fact set me back noticeably. A nudge that this will force me to do things differently perhaps. When I try to choose a payment plan for the dental bill, the system won’t let me, because I don’t earn enough money. The injustice that the poorest who need it, can’t access it. It must be a single big chunk or not at all. I wonder if I should ask my ex, or Dad to help, but neither seem like good options. It’s probably time I just bit it. It makes me want to cry. Self pity? Maybe. It’ll pass and I know it’s also good because it urges me to work harder, make more money, be more mindful. Understand the value of things.

Why have I been so blind to this coming? The bill is teaching me about money; to value it; to create it. And about following my guides. Sometimes I wait too long and they spend years trying to push a message across. I could become much swifter in my response.

Cycling back I decided to drop into my dentist on the other side of the water, so for the first time, I took the ferry. Funnily enough I remembered at the beginning of the year hearing a message from my guides telling me to imagine I was very rich. I knew why – because that would help attract more resources, but I perhaps hadn’t followed the advice enough. They knew I was going to need more money than usual this year, and I wouldn’t have a partner who could help. A few weeks later I bought flights, transport and accommodation for a long trip to America. Now this. I have already increased the amount I am working, and that must continue!

The view after crossing the Thames, looking back at Canary Wharf.

Later in the day at a private view I don’t know who I’m going to see – random people, some artists I know… on a warm evening in Primrose Hill. The surprising thing is I spend most of the time speaking with two people I didn’t know previously. An American guy who wonders about going back to spend time with elderly parents. But the unexpected encounter which colours the rest of my evening is with an artist’s wife, who is an academic. First she speaks about a recent visit to the US, and then I ask if she is South African because of her accent, I mean I know she is. I say my family were; I ask when she moved here, and say mine did in 1963 as they were political (anti-apartheid). A light goes on in her and she asks my surname. I say Bunting and she says she knew Brian and Sonia personally – my great uncle and aunt. Like them, she was a member of the ANC movement and her aunt was their neighbour in Highgate. She attended meetings in their house and knew how dedicated they were. She even knew of my great grandfather, who very few people have heard of now! This was a rare happenstance meeting, sitting on the garden wall outside a gallery.

What strikes me most of all, is that I feel she understands me in a unique way; like a beam shining through me, I feel seen in a way very few people can. She has a deep insight into the way South African exiles in particular processed their situation and has studied it. The way the women often turned to writing, and how well they did this. She has written about this phenomenon and may send me a chapter of one of her books. Not that I am an exile, but it is a latent part of my heritage, and for some reason I connect with it while not all descendants do.

She understands how some of us are intrinsically compelled by our ancestors – their stories ignite us, give us more meaning in our own lives somehow. We need to look back because we see the traces in our lives of why we are where we are, and the trails are curious. When our family before us chose difficult lives – or rather couldn’t help but follow their calling to do what seemed right – because they had powerful beliefs, not just about how they lived but about the whole world or economic social system; they send ripples for generations after. They are often not the best parents because they are so caught up in their beliefs and must live with the consequences like spending time in prison; however they make great ancestors.

Somewhere down the line comes a descendant whose parents were not able to be more present, and she reaches back keenly to feel for messages from the past. It’s like filling in a parenting gap in my sense of purpose. It makes me feel special and it’s part of my identity. It’s not a whimsy; when I read the words they wrote, or were written about them, I feel a bolt of electricity running through me. I feel connected to them, and sense how they knew they were writing or making history not just for their own era, but for a bigger time frame. Writers reach across time, speaking to each other and their readers. When I learnt of how some of my ancestors had such powerful beliefs that it changed their lives as well as contributing to movements towards eradicating racism, undoing colonialism, and lessening the extreme effects of capitalism; it blew my mind!

I’m also deeply concerned with the present; the now; and meditate habitually; try to live in that place. As for the future, I am excited about evolution and spiritual development of humans, and moving beyond physical form. Timelessness intoxicates me. So there are these simultaneous fascinations.

We had begun our discussion about my American communist Grandpa, so she knows I have this extremity from both sides. She looks at me so acutely, and after that I can’t speak to anyone else. I can’t do small talk. I have to leave. I message Brian’s daughter, my Dad’s cousin, on my way home. It’s good to reconnect.

A tree in Clissold Park.

Blood on my Thighs

It’s been far too long. Since I wrote one of those species of posts that incriminates more friends than I have time or inclination to check with first! I am the only one at home, in fact I am the only person in the building as other flats are both empty. The bass has been returned to its natural position (my downstairs neighbours used to complain about this) and I am working my way through the metal archives. Rocking Suicidal Tendencies!

After a busy term I took a holiday on my own, for walking and writing in the Highlands of Scotland. 8 days and nights in Caithness and the North coast of Sutherland changed the way I felt about my life. I mean I wanted to stay there, I want to live there! I found a remote place with cliffs of such rugged awe and not a person in sight for hours, and I felt like my soul lived there, that I belong there. A place where the power of nature is so extremely evident, that you know man has just long left it alone, given up considering the possibilities of exploitation.

Coming back home was painful, the anonymity of living in the big city felt bleak. So cramped, over-built and ugly, unnaturally polluted. To think I have lived here all my life, trying to claw my way through it. I felt intense resistance towards travelling out of my area, especially into Central London for nearly a week. When I did venture to the Tate Modern to check out the Matisse, even though it was a Sunday I found myself shutting down in the traffic. I mean I was cycling and I felt myself putting up a wall of defense around me to protect myself from the heavy dense energy, the selfish push of each vehicle wanting to get where it needed to go above all else, never mind the rest. I’ve never been so aware of this before or so sensitive to it. In fact I think I used to thrive in some way from the adrenaline rush of cycling in thick London traffic when I am in the quick of it. It certainly enlivens one’s senses and I long gave up listening to music at the same time as I need to be alert to every sound around, quiet motors behind or other cyclists approaching.

Once my psychic screen was in place I actually felt more focused like nothing could distract me from my mission, and again I was revelling in rising above it. So before I can move North I have to work out how to live there. There isn’t much life drawing there, I mean there just aren’t that many people and that’s the point. I will say however, that everyone I met who asked what I do and I told them I am a life model, well they all knew what that is. I cannot say the same in London, I am frequently met with quizzical looks. Cultured folk those Highlanders.

Before I left for my trip I was thinking I would organise a Spirited Bodies event immediately after I returned, for September. The lochs and mountains temporarily threw me though. I found myself losing all interest in my erstwhile London activities. The only thing which inspired me was trying to get back North. I had the hostel guide and lots of numbers for self catering accommodation on Orkney or again on the North coast of the mainland.

So last Monday I happened to be online at the right time in the afternoon when a life model colleague (and former Spirited Body) posted a job for that evening partly directed at me. I had spent a lot of time in my area and on my sofa and felt ready to get to work. Sometimes when I get dressed I begin to have a sense of the day ahead from the clothes I am drawn to wearing, in that way I can create my own reality. In any case I was bleeding and that just makes me more in tune; I had a very good feeling about this evening, and it lined up with meeting a friend in the area too. I was experimenting with not wearing a mooncup as I was feeling that this mini plunger contraption which is better for the environment is actually blocking my bits, stopping my cunt from breathing in the correct manner. For the first time in a few years I was going back to tampons and breathe they did. I got to Leytonstone in good time, met Jenny the organiser setting up and surveyed the place. I was ready to rock it, and after the first half the artists clapped enthusiastically. I felt a bit slimey and often this feeling is just an illusion or sweat, but in the bathroom I discovered blood smeared all over my thighs. This doesn’t happen with the mooncup but at least I was breathing.

You know it’s been a good session when several more offers of work come immediately as a result. I also thought that this hall would work for Spirited Bodies and felt positively about the group. It was discussed favourably over drinks so watch this space for an imminent date, in September.

Slime at the Farr Bay

Slime at the Farr Bay

Summer sunset over Torresdale Bay, Bettyhill

Summer sunset over Torresdale Bay, Bettyhill

Borrogeo inlet

Borrogeo inlet with former site of medieval Borve Castle (above left)

So underpopulated is the village that at the Farr Bay Inn a german shepherd sometimes serves behind the bar

So underpopulated is the village that at the Farr Bay Inn a german shepherd sometimes serves behind the bar

My last evening

My last evening

Cliffs at Holburn Head, Scrabster

Cliffs at Holburn Head, Scrabster

My Naked bike ride

On Saturday 8th June, I didn’t want to go in the morning, I wanted to stay in bed. It looked cloudy, and I am not generally great with the cold. Still my boyfriend rang to encourage me which always helps, and I did not try to rush myself. Too much time in a crowded place if you are not in the mood would backfire. By the time I left, sun was shining and I felt glorious for what would happen that day. It’s all about the attitude – doesn’t matter if I miss the body painting bit, or even my friends; if I am on form I will have the best time ever no matter.

I had noted directions to the secret spot for painting our bodies, and after alighting the train at Victoria, cycled over there, not far from Marble Arch. Pretty quiet when I arrived, Natasha was painting Will, Susan was at the ready and a few others were about. The photographers had not yet sussed us and descended! I messed about with my watery bottles of silver and pink which did not nearly cover me thickly enough, much to my sunburnt grief later, but at least I had a sort of glittery golden sheen about me! A kind woman painted Spirited Bodies in big letters across my back, and I helped with painting others where I could. Generally I was getting all excited by this time, if only internally and my painting skills which normally might be more reasonable, were pretty basic.

A friend made a stencil, so I had small letting on my front, big on my back

A friend made a stencil, so I had small lettering on my front, big on my back

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More friends and others arrived, and so too the camera’d masses… well you have to expect that, ideally revel in it, but it is testing even for the hardiest exhibitionist at times. Being a female, they tend to crowd especially if you are nude. Oh for a world where naked humans are more normal.

It seemed to take an age to get the ride going, but at this point Richard who has come to draw at Spirited Bodies before caught me as he was making his WNBR documentary.

The World Naked Bike Ride, London (2013). from Richard Agnew on Vimeo.

When the ride finally got going, and we were at the end almost (of the long trail of 100s of cyclists), I felt heroic! Crowds cheer lining the streets and the freedom of being nude on your bike as you streak down Park Lane is awesome!

Landmark occasion!

Landmark occasion!

Highlights of the ride? Having friends to share it with mainly, that meant a lot. Seeing all the extraordinary cyclists in their stunning attire and some works of art on skin. Chatting with strangers as we rode, recognising friends too, sharing in blissful moments like when people who were not on the ride suddenly decided to join in, you know, random cyclists, and especially people in rickshaws in the West End where we were. We saw them strip off, stand up and pose to applause! Just getting into the spirit of it. The overwhelming joy that kept me high for some time after, is of course still with me. The luck of the mainly warm, sometimes hot weather that day, especially considering the following greyness of subsequent days. The sunburn was worth it, and kept ‘Spirited’ on my back till now even!

Oh and I remember singing ‘Just can’t get enough’! (Depeche Mode) whilst riding down famous streets of the capital. It’s a number from the East London choir I am part of, Hackney Secular Singers. Felt most apt to sing in such high spirits. My original intention to bring more women to the ride did not exactly transpire, but it is in the intention that matters. My presence was there, and Natasha remarked that there were more women than the last year, we just want to keep growing that number.

When we stopped at the lights, Steve caught me and Julian

When we stopped at the lights, Steve caught me and Julian

celebration, and lovely painted women

celebration, and lovely painted women

with Natasha, who managed to raise money whilst riding (and being photographed) for Help for Heroes

with Natasha, who managed to raise money whilst riding (and being photographed) for Help for Heroes

gorgeous group shot - other friends were scattered about, but this unit emerged to keep reconvening!

gorgeous group shot – other friends were scattered about, but this unit emerged to keep reconvening!

best painted rider - took 2 days to prepare apparently! He had a tail too. Photo by Camila Gelber

best painted rider – took 2 days to prepare apparently! He had a tail too. Photo by Camila

Camila caught us at the beginning of the ride

Camila caught us at the beginning of the ride

One more thing. At the end when we were dressed again at Hyde Park Corner, and people were disbanding, I did not know what to do. I was not ready to go home. Just like that and it confused me, so when friends had gone, I stayed a while and cycled back towards Marble Arch uncertain where to or why. Then I saw a couple who had clearly been on the ride (he was still almost nude except literally a loin cloth), and I recognised the woman who had been riding near us. Older couple, very sweet, in fact are good friends not partners. They said hello and invited me to have tea with them in the dusk of the park. Turned out to be the perfect way to unwind, chatting with fellow riders, from Wales in this case, quietly after the chaos. Making friends and sharing stories of naked escapades (these two travel far and wide for it), and having friends to be nude with when your partner isn’t that bothered about that scene. Made lots of sense, I’m sure I’ll see them again.

With thanks to all who shared in this, and Steve, Camila and Matthew for sharing photos and Richard for the film. Here is a link to more pictures discovered on Flickr by Darren – http://www.flickr.com/photos/dave-cool/9013964241/in/set-72157634069609804/

Till next time!