Shadows & Light; photograms, rope bondage and mentoring girls

Yesterday I was asked to mentor teenage girls about body image in a pod on the London Eye on International Day of the Girl (October 11th which is also my Mother’s birthday). Today I told teenage girls who were continually whispering in the 6th form class I was modelling for, to shut up. I could not discern their words but there was a constant low level conversation in their huddle, and when I was looking their way I was not imagining the cheeky ‘OMG she’s looking at us’ looks directed at me. 3 poses into this nonsense I thought of saying something. I had a few ideas in my head but knew that whetever came out would be more effective unrehearsed. It needed to come from my heart in the moment. As I changed pose I glanced their way decrying “It would be better if you shut up.” Then realising that might have sounded unduly strong – I am more than twice their age and also about 10 years older than the teacher, I added, “I mean I can hear that you are whispering, and it IS off-putting.” I was calm and I’d said what I needed to say, what a relief! I automatically assumed the next pose facing another direction (I was in the round) and where I had been counting 300 seconds (5 minutes) for each pose in my head, I now just let time be. I felt myself turn a little pink at the surprise of my outspokenness, crossing an unspoken line in terms of my position in relation to the teacher (who was turned away at a computer on the other side of the room) and the class, then returned to my usual shade and gathered a growing smile on my chops. I had taken control just for a minute and the dynamic of the class had shifted. Now there was silence; and a sense of it being possible for anything to happen now. No one knew what would happen next. Well of course it was pretty straight forward; tension had been released and I had more smiles than before. Reminded of the time I told patrons at The National Theatre who were rude to me when trying to buy a programme from me (I worked front of house), to fuck off, got a warning from the manager, left early and had a fantastic evening at an art event I would otherwise have missed, I remembered that sometimes my anger pushes me forward. It’s good to cross lines to maintain strength, make a point. It’s worth risking your poorly paid job to stand up for truth and self-expression, being real and not waiting for someone else to champion your cause.

I will add here that the tutor here had been very supportive and given me such a fantastic introduction to the class as she raved about Spirited Bodies. I certainly felt welcomed (my first time there) and trusted, and in good hands. Dealing with the pair of girls was an isolated, individual case and everything else was fine. I even got a round of applaus at the end of the session; I wonder if I will be booked again.

On the same day that I received an email asking me to mentor teenage girls on the London Eye, earlier in the morning I had been going through old papers and found this section of diary from a few years ago that drew my attention: –

“It’s such a shame I think, that I haven’t known really, what I want to do, since those crucial years as a teenager. It’s as if someone took all the aspirations I had been having, and said, ‘Whoa! You’re not going anywhere with those! Forget that shit, and get some real experience…’

And I bought it, and all the little packets of speed I could get my hands on.

I look back and sometimes wish better guidance had been available to me. There was a sense from within me that I really wanted to go off the rails, to shock, lose control, and completely change from the girl I’d been. Any obviously sensible advice would have been most likely unheeded. It would have taken a very special person to penetrate my closed-in, bent-on-being-fucked-up world. Someone who’d been through something similar, but already come out the other end.

And I could have done with someone being really tough on me, hardline about certain issues, to give me a sense of discipline, and where it was that I was Really fucking up. But for me to accept that, that woman would have to have known what she was talking about. And be kind. I needed all that…….

A little gentle guidance would have been so good. Like, ‘Yeah try those needles, undeniably fun that injecting… but don’t let it take over! And don’t lose sight of artistic interests and your education…..’

She would have told me which things I was doing to make money that really fuck with your head; to live on less, and not worry about pleasing men who expect you to look, act and fuck a certain way….

I hear her voice, ‘Keep reading, watching, alert for what’s going on out there. It’s easy to get lost in that enclosed world, but there’s so much more going on which will be much more important later. Be informed and find your creative path.’

Nothing like learning the hard way.”

It’s a funny idea I have of some sassy role model having words with my troubled youth. Not realistic. The whole point is that you have to find out on your own. Anyway; where would all the fun be if someone had told me what not to do? Events become stories you remember for years after because at the actual time of them happening, you really didn’t have a clue what was going on. Yet I do recall yearning at particular moments of apparent darkness for some female guidance.

Here are pictures from a photogram session which involves holding bizarre poses in a dark room on giant photographic paper whilst coloured lights are flashed from above.

27_20130801-crop-esther-bunting1326 I had to get used to working in the dark with artist Andrew Chisholm which I found very meditative. It was like a ritual, each of my movements in coordination with his procedure and that of a technical assistant, giving each other signals that a phase was complete so the next could begin.

27_20130801-crop-esther-bunting1327Extremely light sensitive paper had to be wrapped and unwrapped in darkness, deposited in a giant processing machine. It was quite amazing and magical as we waited for the result to see if how we had planned the image had transpired.

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This was a novel way to engage in nude art and could appeal to those preferring total anonymity, though I am not sure a shadow is necessarily that. It is a fairly expensive procedure but if you are interested contact Andrew. Some of his photograms will be in an exhibition starting this Friday at Candid Arts in Angel, London.

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Yesterday I was grateful for a more spiritual experience when modelling. This was for a friend Jon who organises the annual Festival of the Art of Japanese Rope Bondage. Dressed in a partly transparent kimono I allowed Jon (Nawashi Murakawa) to tie the intricate knots around me and suspend me from bamboo sticks hanging from the ceiling. An eerie haunting Japanese music accompanied together with Vera Bremerton doing live vocals. The stage was set up in Japanese decoration; a painted backdrop and various paraphernalia; sticks, cloths, hats and the twiney ropes. First I watched Jon arrange Maya into poses as she submitted, I could see she was in trance and so it was after for me. The atmosphere here was very supportive of my whole being, the room full of enthusiasts, people doing knotting themselves at the other end. I felt the love and gave Jon my trust. I experienced how this art allows the model to express sexuality without being overtly sexual. Parts of me were exposed at times which may have been more erotic for me being partially covered. But I was just hanging there, contorted in ways I could not normally manage. There was pain, tingles and numbness but I am used to that. I gave in to the new variation of sensations, the rope digging in cutting off different parts of me in isolation, and enjoyed performing to a drawing audience.

I wore a hat with ears first

I wore a hat with ears first

by Brett who added remembered text

by Brett who added remembered text

by Jon, after he had suspended me

by Jon, after he had suspended me

On October 11th Thelma and I will be spinning slowly in The London Eye around breakfast time with women role models from a variety of backgrounds including ‘policewomen, artists, lawyers, conductors, painters and decorators, athletes and business women.’ We will be speed-mentoring teenage girls about body image and related matters, this is organised by Southbank Centre, Women of the World (WOW) of which we were a part this year and have attended every year since it began (2011).

Taking a Shower

Unselfconsciously I bathe myself intimately, reach inside, feel for the string that tells me I won’t be having babies – yet.

I inspect my nipples – are they unduly hairy, in need of a pluck? I might promote being happy with one’s body as it is, but that doesn’t exclude a few enhancements. I don’t shave my bits, partly because I have sensitive skin which flares up at the slightest mention of hair removal down there. I prefer the orange triangle of hair to an itching mass of red plucked chicken look. Admittedly I’ve not investigated laser removal or even depilatory cream/spray; I’m just not that fussed about the presence of my pubes and possibly too lazy. With my proportions I am frequently still infantilised aged 35; there’s no need to assist those fantasies. Then there’s the political point of not conforming to porn style pussy. I think this is every woman’s call and won’t judge others on this choice, but I do think more porn ought to be reclaimed and created from the woman’s point of view.

I’m thinking about how we are on our own, in the comfort of our own privacy. When we go to the toilet and we don’t think about the noise we’ll make or the smell. If we get an itch we’ll go right on in and scratch. The difference between being alone and with others, how it takes a while to share as much of everything as we can. When I fall in love or make a new friend I really notice where I am holding back or shy. After a while I’ll leave the door open, censor less. I am grateful for that intimacy with others, to just be myself getting on with living rather than worrying.

As Idun was saying while I was modelling in her class yesterday, “When you stop worrying, let go of preconceived ideas, that’s when the magic starts to happen.” So true. They were drawing with their ‘wrong’ hands.

When I am on form, life modelling is like a gift. I get paid to express myself as I am. I mean it’s spiritual! How much I am in the moment becomes a measure of how well I am working it. I guess that is the same for any job, but in this one, mostly what I am doing, is just being. Holding still and being. Looking vaguely interesting. Somehow. Cultivating posing. Tuning into my natural presence and switching it on full blast, whatever the fuck that means. Beaming at the artists till I forgot they are even there, remembering something funny my boyfriend did or some comedian…

I took pictures of some artworks that caught my eye in the Mall Galleries this evening. Cheekily I didn’t record who created them.

unnatural lights bounce of the glass

I notice I feel quite free among these artists, performing myself for them. If I feel sexy I show it, without being overt. Whatever I’m feeling they get it. They get more of me than some of my friends do and sometimes I think they know me better. They watch me just being.

by one of the guys at Mortlake; Paul’s Tuesday group

I keep thinking about intimacy. About my desire to share stupid stuff which probably turns my boyfriend off me but I like sharing because otherwise I would be holding back. Sure sometimes there is a value to resisting sharing and I will find such a line if it ought to be known.

I think partners who we love are a good place to start when considering intimacy. He is the only person I regularly have naked physical contact with. When I was younger there were many more such folks in my life and often I didn’t know them. Now I do monogamy. I love him very much, his physicality and all. He is more than twice my body weight and I love to feel the pressure of him bearing down on top of me! That is a sensation I cannot give to myself. I am comforted by his flesh; he makes me feel tiny and I am like a little fairy next to him.

My boyfriend makes me wish I had dropped out more. Like stayed on that road because then I’d have more friends like that, instead of disparate womenfolk of similar strands of awkwardness to myself. Hey ho, what to be done but just be getting on with where I am at… I need to be a life model just to come to terms with this stuff! In the end though I just let go of me because there is so much more to give.

Supernormal Body Image

At the weekend I went to a festival called Supernormal with my punk choir, The Hackney Secular Singers. It is an experimental art and music festival in Brazier’s Park, Oxfordshire in and around the grounds of a gothic mansion which has been an artists’ commune and residence since the ’40s. Ian Fleming and Marianne Faithfull spent time growing up in its bohemian enclosure.

Choir rehearsing in the garden, Brazier’s Park, image by Jemima Broadbridge.

Terrace where we sang. Photo by Jemima Broadbridge of the choir

Musically this festival was quite geeky. Sound artists twiddled knobs in tupperware boxes with wires attached to them. Lights and torches came into the soundscape mix with light sensitive technology creating hypnotic drone music as they call it. Pedals and electrical goods littered the floor of the stage which was literally in front of our feet. The drone musician knew what each item was there for and he carefully manipulated each one. The intensity of his own immersion was like a ritual.

Other bands had ‘normal’ musical instruments, often jamming with apparently no synchronicity. A friend explained that this method allows moments of rare togetherness and tuneful episodes to shine phenomenally. Some of it was a bit ’70s prog rock; I am a Hawkwind fan so that worked for me.

It was a very uncommercial festival and too small to get lost in. It seemed like most people there were artists taking part, and there were odd processions, performative interludes and creative opportunities galore. In the mornings there was life drawing in a gorgeous old barn. People were invited to model and/or draw so there were some new models trying out, some as a duo to take the edge off. I naturally did a stint, as well as some drawing.

Campbell Works artists made and baked bread in the shape of life-size humans.

They specially built ovens to fit the cremations!

Guests were invited to a bread feast where body-pieces of the wholemeal natural yeast bread were eaten dipped in a dressing of olive oil with garlic and herbs .

Talking of body parts I especially enjoyed trying on Miracle Shapers by the artists who are Jerrica. This is participatory art about body image, challenging the idea that we obsess about body parts we dislike, in particular fat, and celebrate them instead.

http://www.jerrica.co.uk/miracle-shapers.html Artists Diane Archer and Christina Sabberton made soft golden pads in the shape of bums, boobs, willys, balls and bellys. They are stuffed inside clothes, worn on the outside for display or attached to special underwear garments.

First the boobs and behind

Boobs and bum. Luckily I had a compliant dress on

with a belly too. Jerrica probably have better quality images available soon… my phone camera being what it is

Possibly pregnant

These women were so jolly. Here Diane sports all their wares available for auction at the end of their session

When I told Lucy about this she asked if the parts had the weight of real fat. They don’t, so you just get a visual impression. They are fun items designed for convenience to make a point.

I liked being able to try out the ‘bigger me’ look. It might be interesting to wear the parts discreetly and experience life as a different size with people who do not know me. How do people relate to me differently like that and how much depends upon my personality, and do I alter my personality when appearing much larger? An experiment waiting to happen!

Finally I am looking forward to seeing the drawings by artists of Ortelius Drew; http://orteliusdrew.com/web/orteliusdrew/drawing-groups who documented as much of the festival as they could by drawing.