In The Midnight Hour

A dark basement which is also a corridor, recorded in the midnight hour for Charles Hayward‘s installation.

A congregation of pipes, a gas meter, a large china basin and an iron door to a noman’s land. Windows partially blocked, a concrete floor. Lines demarcating a work zone, a stairway above and a garden outside. How did the room wish to be displayed?

Charles felt moved by the room. He sat in it and waited until he knew when and what, how to record.

Time is accelerated and slowed in the final take, and passing by, my own time is overlapped with The Midnight Hour.

a basement, Art House Lewisham

Wired for Work

At an advertising agency in Kensington I am surprised by how lovely the young things make me feel.
A very dry, cold ‘theatre’ room with a cheap decor, slowly fills with keen, appreciative artists. I don’t want to like them; I checked out the multinationals they represent in the portfolio down in the lobby, but these yes privileged persons, have been requesting life drawing sessions from their seniors for some time; have been starved, so this once monthly occasion is feted.
I relax, improvising with the furniture, admiring their sketches. There is a chill at first, so I naturally huddle into protective, warming, apparently sex-kitten poses! Then a quality heater is delivered, and I uncurl into passionate, open posture; I let myself be the way I really am – cute, coquettish and angularly striking.
A young man announces he modelled in Florence whilst attending classes at the world’s premier life drawing academy. I ask if it paid for his tuition and he said he was lucky to have parents covering that. But knowing that he knows what it’s like to do what I do, does make me feel much more at home.
Candles are brought to illuminate my feet and I bask in loving ambiance.
Red flows to unwind their charcoaling fingers and lubricate a love for drawing. Why do I feel so enamoured? Am I projecting the love I desire on to these rat race rabbits? If I am I’m sure they feed it back because by the end I overflow. I do not resent their commercial creed; art unites us for a short exercise in loving connection where the only touch is on paper. They allowed me to be beautiful, and even to forget about sex, which is an achievement at present!
A good model friend of mine advised me on structured meditation while modelling, to avoid unwanted thoughts and attention. I cannot instill this instantly, but something of her wise words must have sunk in – I feel like I am on a higher plane. I’ve always fallen in my own time to the rhythm of meditation, but with practise a greater discipline will work for me. I do not want my sexual appetite to get the better of me, there is more to art and life.

Keeping Schtum at Torrens Street; Model Life

It’s Wednesday evening and I’m busting some moves in the basement at Torrens Street’s Candid. I reminisce briefly of old times larging it on the dance floor next door; I wasn’t naked then, but getting there.
There’s a buzzy vibe tonight with total beginners and long time regulars packing it in, sketching on the floor, sitting on garden seats or braving it at the easel. I storm in exhausted and ready to take them on. It’s been a zigzag marathon today starting in Baker Street, afternoon Blackheath way, ending up in the Angel. But something feels rocking; at the girls school I was reminded of the first rule of life modeling: ‘When the going gets shit, strike it hotter baby!’ There’s no hiding your feelings – everything’s out for all to see so just grab their eyes with every curve you’ve got, lure their gaze with unfolding angles. You’ll reap the rewards; to see their complementary images I am reminded that it’s not so bad. And while I hold their attention, I feel their warmth. I imagine each of them wondering who I am, but really I know they’re just trying to measure me.
I’m intense, climactic; I may finally attempt a long lost goal of singledom with a capital S. Or is it C for celibacy? I have no idea how this is going to go… and a terrible track record when breaking up with boyfriends. 2 – 3 months is a record since age 16. At 33 it’s high time.
It’s just a trick of the mind surely, and then one can progress, but with so much more chi! So much more anticipation oozing, coaxing and channeling into friends, work, art.